
'All We Imagine As Light' Criterion Presents Blu-Ray Review - Payal Kapadia Brings Universal Emotion To Her Narrative Debut
For in-depth thoughts on All We Imagine as Light, please see my colleague Liselotte Vanophem's review from its original theatrical release here.
Video Quality
All We Imagine as Light comes to Blu-Ray in an AVC encoded transfer in 1.66:1 courtesy of Criterion Presents, which provides a first-rate presentation that deftly captures the natural aesthetic. This gorgeous presentation delivers a consistent image quality throughout without any obvious deficiencies. This digital production does not exhibit any signs of noise or compression as the sumptuous imagery delights in high definition. Colors are exceptional when it comes to the outfits, certain lighting flourishes, and lush vegetation outside of the city. Skin tones look natural throughout the runtime with exquisite detail on display. This transfer represents everything you want from a Blu-Ray release.
Audio Quality
The Blu-Ray disc comes with a DTS-HD Master Audio 5.1 track in the original mixture of languages which offers an enjoyable listening experience. The natural soundscape of the city is filled with tons of discrete nuances that do a noble job of transporting you into this story. Activity in the low end is subtle yet helps provide additional texture to the world. The emotional score and other tunes are showcased accurately here with an enveloping use of the surround speakers that maintain precise fidelity. Dialogue comes through clearly without ever being clipped by the environmental elements. The sound design is not overly aggressive, but it serves its purpose very well. The track springs to life with the sounds of both urban bustle and serene nature. This is a terrific audio presentation that brings the movie to life without a hitch. Optional English subtitles are provided.
Special Features
The Criterion Presents Blu-Ray of All We Imagine as Light includes a leaflet featuring the essay 'All We Imagine as Light: Luminous Hopes' by Michael Joshua Rowin in which he provides some good insight into and analysis of the film that helps highlight the deeper themes on display. The on-disc special features are as follows:
Meet The Filmmakers:
A great 18-minute conversation with director Payal Kapadia in which she discusses her journey into film as an art form, her early work in the documentary space, the development of this story, the personal elements woven into the narrative, working with the performers on the language of the film, and much more that you will not want to miss.
Trailer (1:58)
Final Thoughts
All We Imagine as Light is at first an unassuming narrative that simply follows the minor dramas experienced by a small group of women in an Indian metropolis. The characters are quite different from one another, yet each of them lives a life of longing for different reasons. Through the thoughtful direction of Payal Kapadia, each story becomes universal to the viewer as emotions burst forth and pain is wrestled with. Each performance feels authentic and quite powerful in its raw vulnerability. Even with its critical acclaim, it deserves to have more people seeking it out. Criterion Presents has released a new Blu-Ray with a sterling A/V presentation and a valuable interview. Highly Recommended
The Criterion Presents edition of All We Imagine as Light will be available to purchase on July 22, 2025, on Blu-Ray and DVD.
Note: Images presented in this review are not reflective of the image quality of the Blu-Ray.
Disclaimer: Criterion Presents has supplied a copy of this disc free of charge for review purposes. All opinions in this review are the honest reactions of the author.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
15 hours ago
- Yahoo
India's ‘Kantara: Chapter 1' Producer Calls Prequel ‘Our Most Ambitious Project to Date,' Unveils Behind-the-Scenes Video (EXCLUSIVE)
2022 Indian sleeper hit 'Kantara' may have started as a regional Kannada-language film, but its massive success transformed Hombale Films' trajectory overnight. Now, producer Vijay Kiragandur is doubling down with 'Kantara: Chapter 1,' a prequel that he says pushes every boundary the company has previously set. Kiragandur has also shared a behind-the-scenes video with Variety. More from Variety Hrithik Roshan Teams With 'K.G.F.,' 'Kantara' Producer Hombale Films for Major Pan-India Project (EXCLUSIVE) Yash's 'Toxic' Sets 2026 Release Date (EXCLUSIVE) Yash Unveils First-Look Video of 'Toxic' (EXCLUSIVE) Made on a modest budget of $1.96 million, 'Kantara,' written, directed by and starring Rishab Shetty, went on to amass some $50 million with dubbed versions in several Indian languages. The decision to construct an entire studio for the prequel speaks to the scale of ambition driving this project. 'The studio was born out of both creative necessity and practical limitations,' Kiragandur explains. 'We scoured Karnataka for a facility that could house an elaborate palace set with intricate interiors, but none met our requirements in terms of scale or infrastructure. What began as one studio floor quickly expanded into a full-fledged facility.' The investment proved strategic beyond mere logistics. 'Building our own studio allowed us complete creative control, streamlined production timelines, reduced travel costs — and most importantly — gave our director, Rishab Shetty the peace of mind to realize his vision uncompromised. It became a catalyst for the film's authenticity.' That authenticity extends to the film's core themes, which dig deeper into the spiritual and mythological elements that resonated so powerfully in the original. 'The spiritual resonance of the first film was a guiding force as we shaped 'Chapter 1,'' Kiragandur notes. 'The audience's response to 'Kantara' gave us clarity — we knew we had to honor that legacy with focused storytelling.' 'Instead of pursuing multiple projects simultaneously, we chose to channel all our energy into this one,' Kiragandur adds. 'Though we're in advanced stages with other pan-India films, our commitment to 'Kantara: Chapter 1' took precedence.' The upcoming pan-India projects include 'Salaar: Part 2 – Shouryaanga Parvam,' the sequel to Prashanth Neel's 2023 blockbuster 'Salaar: Part 1 – Ceasefire,' starring Prabhas, which was one of the biggest Indian hits of 2023. Hombale is no stranger to blockbusters, being the studio behind Neel's Yash starrers 'K.G.F: Chapter 1' (2018) and 'K.G.F: Chapter 2' (2022), with the latter being the fifth highest-grossing Indian film of all time. Kiragandur produces for Hombale alongside Chaluve Gowda. Kiragandur acknowledges the inherent challenge of balancing cultural authenticity with commercial ambitions, but frames it as an opportunity rather than a constraint. 'Cultural legacy isn't a pressure point for us — it's a compass,' he says. 'By staying true to our narrative, the talent behind it, and the emotions it carries, we're confident that authenticity will shine through on screen.' Central to that confidence is writer-director-star Rishab Shetty, whose multifaceted involvement mirrors his approach to the original film. 'We had full faith in Rishab Shetty, the driving force behind 'Kantara: Chapter 1.' Whether it was his acting, writing, or direction, his talent played a pivotal role in shaping everything we created.' The project's scope extends beyond entertainment into cultural preservation, addressing themes that Kiragandur considers essential to contemporary discourse. 'One of the most important aspects of 'Kantara' is its focus on preserving nature and raising the conversation around land ownership — a subject deeply meaningful to us.' This commitment to cultural storytelling positions the film within Hombale's broader mission to elevate Indian narratives on a global stage. 'More than regional, 'Kantara: Chapter 1' is about Indian storytelling,' Kiragandur emphasizes. 'Our research frequently led us to marvel at the vast cultural and narrative tapestry this country holds. We could create years of content purely from its untold stories.' The producer sees untapped potential in India's rich heritage, noting that 'very few filmmakers have dared to explore this territory — perhaps because there's no Western blueprint to follow. But we don't see that as a limitation. We see it as a calling.' While remaining modest about specific production moments that crystallized the film's exceptional scope, Kiragandur expresses confidence that audiences will recognize the achievement. 'There have been several moments, but we'll let the film speak for itself. We genuinely believe it will leave audiences stunned — not just by the scale, but by the soul.' When pressed about what distinguishes this production from Hombale's previous efforts, Kiragandur's response captures the full weight of the undertaking: ''Kantara: Chapter 1' is undoubtedly our most ambitious project to date — and there are several reasons why. The scale of effort, from the number of shoot days to the sheer volume of manpower, far surpasses anything we've undertaken before. But beyond logistics, this film holds a deeply personal place in our hearts. It's the kind of cinema we've always dreamed of creating. At Hombale, our vision has always been to bring Indian cultural roots to life through storytelling. We've long aspired to create something for this generation — and for generations to come — that makes them proud of India's rich heritage.' 'Kantara: Chapter 1' releases Oct. 2 in the Kannada, Hindi, Tamil, Telugu, Malayalam, Bengali and English languages. Watch the behind-the-scenes video here: Best of Variety New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? Final Emmy Predictions: Talk Series and Scripted Variety - New Blood Looks to Tackle Late Night Staples
Yahoo
15 hours ago
- Yahoo
Projects Produced by Alia Bhatt, Payal Kapadia & Kani Kusruti In Busan's APM 2025 Line-up
Busan International Film Festival (BIFF) has annouced the 30 projects selected for this year's Asian Project Market, including two projects produced by high-profile Indian actresses. The line-up includes Difficult Daughters, directed by Soni Razdan, which is being produced by Alia Bhatt and her sister Shaheen Bhatt, along with veteran Indian indie producer Alan McAlex (Santosh). More from Deadline Busan International Film Festival Launches Competition Section; Overhauls Programming Team Busan Film Festival Confirms Jung Hanseok As Festival Director 'Kingdom Of The Insomniacs' Wins Busan Award At Asian Project Market Kani Kusruti, who starred in Cannes Palme d'Or winning film All We Imagine As Light, is teaming with the director of that film, Payal Kapadia, to produce The Last Of Them Plagues, directed by Kunjila Mascillamani. Kusruti attended BIFF last year as a jury member for the New Currents competition. Elsewhere, the line-up includes several other filmmakers with ties to BIFF, including Indian director Pradip Kurbah, recipient of the 2019 Jiseok Award, with new project Moon; Bangladeshi filmmaker Biplob Sarkar, previously invited to BIFF New Currents and returning with LGBTQ+-themed The Magical Men; and Malaysia's Lau Kok Rui from the BIFF 2022 Asian Film Academy, who is presenting Wake Me up When the Mourning Ends, with Soi Cheang, Stefano Centini and Wong Kew Soon on board as producers. The line-up also features five Chinese-language projects, with three from Taiwan focusing on female protagonists. Japan is represented by three projects from established directors Shiraishi Kazuya, Fujita Naoya and Zhang Yaoyuan, with stories revolving around the realities of foreign laborers, a reclusive woman's struggle for identity, and a multifaceted view of what Japanese youth face today. Seven Korean projects have also been selected from both emerging and mid-career directors, including Gilddong from Park Riwoong, who won the New Currents Award at BIFF 2024 for The Land Of Morning Calm; Arrival Of Water from Jo Heeyoung; Dance Dance Revolution by director Choi Hana (More Than Family); and The Descent by director Kim Hyoeun following her BIFF 2024 invitation for Tango At Dawn. Asian Project Market (APM) will be held for four days from September 20-23 during the 20th edition of the Asian Contents & Film Market at BEXCO. ASIAN PROJECT MARKET 2025: *Supported by ACF Script Development Fund Arrival Of Water (Korea, Japan)Dir: Jo HeeyoungProd: Park Sejin Black Star Angel* (Armenia, US)Dir: Christine HaroutounianProd: Maxwell Schwartz, Christine Haroutounian Bodoi (Japan)Dir: Shiraishi KazuyaProd: Kii Muneyuki Buy My Car (Japan, China)Dir: Zhang YaoyuanProd: Ichiyama Shozo, Kunizane Mizue, Mo Zhulin Churching Of Women (Jordan)Dir: Darin SallamProd: Deema Azar, Ayah Jardaneh Dance Dance Revolution (Korea)Dir: Choi HanaProd: An Boyoung The Daughter (Hong Kong, China)Dir: Guan TianProd: Vivian Bao, Ding Ningyuan The Descent (Korea)Dir: Kim HyoeunProd: Park Hyunsuk Difficult Daughters (India)Dir: Soni RazdanProd: Alia Bhatt, Shaheen Bhatt, Alan Mcalex, Grishma Shah Disorder (Iraq, Germany)Dir: Shawkat Amin KorkiProd: Mehmet Aktas, Shohreh Golparian, Shawkat Amin Korki Flying Cows (Vietnam)Dir: Nguyen Pham Thanh DatProd: Nguyen Huu Thi Tuong Vi The Funeral March (Japan, China)Dir: Fujita NaoyaProd: Fujita Kanako, Shiina Yasushi, Zou Aiken, Zou Lin Gilddong (Korea, China)Dir: Park RiwoongProd: Yoon Minyoung Gochi (Korea)Dir: Yoon EunkyoungProd: Stanley Kwak Heaven Help Us!* (Philippines)Dir: Eve BaswelProd: John Torres, Jules Katanyag Lanka (The Fire) (India)Dir: Saurav RaiProd: Sudeepta Sadhukhan, Viraj Selot, Ankita Purkayastha The Last Of Them Plagues (India)Dir: Kunjila MascillamaniProd: Payal Kapadia, Jeo Baby, Kani Kusruti Lost And Cow (Thailand)Dir: Thapanee LoosuwanProd: Chonlasit Upanigkit, Somprasong Srikrajang The Magical Men (Bangladesh, Singapore, France, India)Dir: Biplob SarkarProd: Biplob Sarkar, Fran Borgia, Francois d'Artemare, Sankhajit Biswas Moon (India)Dir: Pradip KurbahProd: Pradip Kurbah New Life* (China)Dir: Li YingtongProd: Annie Song No Country For Old Men (Taiwan)Dir: An BonProd: Chen Pao-Ying Paradis Karaoke (Korea)Dir: Byun SungbinProd: Bong Suji Sama (Canada, Afghanistan)Dir: Brishkay AhmedProd: Brishkay Ahmed, Bonnie Do Silence Of The Looms (Bangladesh)Dir: Mirza Shabnam FerdousiProd: Rajib Mohajan Silent Cry (Korea)Dir: Jero YunProd: Jero Yun The Skull Oracle (Taiwan)Dir: Laha MebowProd: Eric Liang Zara Lin, Chen Yi Chen Snake In The Dreamscapes (Taiwan)Dir: Lou Yi-AnProd: Chen Wen Wen, Kao Chun Ting, Hsu Guo-Lun Stuck Like Babies (Kyrgyzstan)Dir: Dastan Zhapar RyskeldiProd: Veronica Rhyme, Aktan Ryskeldiev, Fernanda Renno Wake Me Up When The Mourning Ends (Malaysia, Hong Kong, Italy, Taiwan)Dir: Lau Kok RuiProd: Soi Cheang, Stefano Centini, Wong Kew Soon Best of Deadline Streamer Subscription Prices And Tiers – Everything To Know As Costs Rise And Ads Abound (Hello, Peacock) - Update 'Stick' Release Guide: When Do New Episodes Come Out? 'Stick' Soundtrack: All The Songs You'll Hear In The Apple TV+ Golf Series
Yahoo
20 hours ago
- Yahoo
Woman Says Friend Texts Her Fiancé Behind Her Back, Then Asks Him to Hang Out
"It's a mind game because nothing she's saying is overtly inappropriate, but I'm not getting a good gut feeling about her," the woman wroteNEED TO KNOW A woman and her fiancé are uncomfortable with their mutual friend's girlfriend messaging him privately The girlfriend's texts weren't flirty at first, but recently they've grown increasingly suggestive Though the fiancé is transparent with the woman, she can't shake the feeling of distrust towards the girlfriendA Reddit user is suspicious of another woman getting flirty with her fiancé, despite them all being friends. The 29-year-old woman opened up about the uncomfortable situation between her 30-year-old fiancé and his childhood friend's girlfriend in a post on Reddit. "I need to get this off my chest because it's been bothering me a lot and I don't know if I'm overreacting or trusting my gut," she begins. She explained that the two couples are in a group chat together, but the 27-year-old girlfriend continuously and consistently messages her fiancé privately, while making no effort to build a connection with her. In the past, the girlfriend's messages weren't "explicitly flirty" but rather random questions and comments that, in the poster's mind, would have been just as suited for the group chat. "She's extremely friendly to me and I like hanging out all together. Yet, If we're all supposed to be friends, why is she building a connection only with him privately but not me?" she questions. While the poster has been letting it slide, recently, the messages have taken a suggestive turn. On the fiancé's birthday, the girlfriend stayed up late so she could be "the first one to wish him a happy birthday." "Something about that just really upset me. It felt so intentional, like she wanted to insert herself in a way that made her feel close to him," the poster explains. At a separate time, the girlfriend also texted the woman's fiancé, saying she wanted "to hang out with him with or without her boyfriend." "That sentence keeps playing in my head," the woman writes. "Who says that to someone else's fiancé?" The poster notes that her partner has been very transparent and always shows her the messages and asks how to respond. While her fiancé is equally "uncomfortable" with the situation, he doesn't want to complicate the dynamic between the four of them – him, his fiancée, his friend and the girlfriend. Still, now he's set a "clear boundary:" whenever the girlfriend texts him, he'll send his reply in the group chat. But it's not about trusting her fiancé, the poster notes — it's about trusting the girlfriend. "I can't stop feeling disrespected and honestly, [on] high alert. It's a mind game because nothing she's saying is overtly inappropriate, but I'm not getting a good gut feeling about her," she writes. "She's seemingly happy in her relationship so why is she going to my fiancé for random things?" Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human-interest stories. Those in the comments agreed, noting that they were willing to give the girlfriend the benefit of the doubt until she asked to hang out alone with him. "I could see her sending him non-flirty texts about specific topics that are career related, but the part about wanting to hang out with just him and maybe her [boyfriend] — to the exclusion of you — is troubling," one wrote. "I'd be suspicious as well." Another suggested the girlfriend is "playing a long, low-stakes game" — establishing a connection with the fiancé should either one of their relationships end. Read the original article on People Solve the daily Crossword