
Naomi Watts, BTS' Kim Taehyung and more turn out for Celine fashion show
Far from it being a coincidence, the scarf was part of the invitation that luxury label Celine had sent to guests invited to see its Spring 2026 collection. Staged at the brand's Right Bank headquarters, a day before Paris Haute Couture Week, the show was notable: Not only was it Celine's first in years (the last physical show took place in December 2022, under its former designer Hedi Slimane, who preferred to his present his collections via short films), it also offered a first look at the highly anticipated debut designs under new artistic director Michael Rider.
Since being appointed at Celine in October last year, taking up the role in early 2025 after six years at Polo Ralph Lauren, Rider has laid low. While French luxury house Dior sought to drum up interest for its new designer Jonathan Anderson by teasing elements of the new collection on social media, Celine has kept everything under wraps, with the silk scarf invite — which also features in the brand's advertisements plastered across Paris — being the only indicator for what to expect.
A bevy of high-profile stars sat under a giant carré de soie (silk pocket square) stretched like a canopy in the courtyard. These included Naomi Watts, Kristen Wiig, and Kim Taehyung, better known as V, from K-pop band BTS, who arrived on a bicycle. Singer Alanis Morisette told CNN ahead of the show that she had 'so much anticipation to see what Michael Rider has done.' Other fashion designers including Jonathan Anderson and Raf Simons, formerly of Jil Sander, Dior and Calvin Klein, also turned out to show their support.
The show, which took place in the rain (attendees were given Celine-branded umbrellas), comprised both men and womenswear. There were nods to the brand's past, whether it was the references to the 1970s archives, the clean lines reminiscent of former designer Phoebe Philo (who amassed a cult following known as 'Philophiles' during her tenure), or the lean silhouettes favored by Slimane. Also present were culottes paired with flat Mary Janes and a full flash of the Eighties: balloon-leg washed denim trousers, high-waisted pants tucked into boxing boots, and a tweed jacket with wide shoulders. Horsebit detailing adorned slim ankle boots.
But Rider also wove in references to his own past — an argyle jumper could have come straight out of a Ralph Lauren collection, while flounced hems on a knit cardigan recalled Balenciaga's cocoon shapes during Rider's time working under designer Nicolas Ghesquière in the early noughties. There were personal playful touches, too: see the opulent stacked jewelry, rings on every finger.
In all, there was a preppy American feel intertwined with French sophistication in the looks. Law Roach, stylist to the stars including Zendaya, seemed to have an inkling for what was coming. 'I want to see this American flair in this Parisian house… I'm so excited to see the newness,' he told CNN ahead of the show, nodding to the long history of American designers in Paris, including Michael Kors who designed Celine from 1997 to 2004.
Rider is stepping into big shoes: His predecessor turned Celine into a commercial heavyweight, bringing in an estimated €2.5 billion ($2.76 billion) annually, with the expansion of menswear, leather goods, and fragrance — areas that Rider will continue to oversee. But with his deep familiarity with the Celine maison, he seems intent on ushering in a chapter that is less about spectacle and more about nuance — an approach that tends to age well in fashion.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Travel Weekly
36 minutes ago
- Travel Weekly
Ritz-Carlton harnessed the power of celebrity and social media for its Luminara debut
Teri West I spent my free time last week playing what I like to call "Luminara, I spy." Here's how you play: View the latest Instagram story from a celebrity aboard the Ritz-Carlton's newest yacht, see what other celebrities they filmed at last night's party on the yacht, and then go to those celebrities' Instagram stories to see which other famous guests you can spot. By the end of the sailing, I couldn't believe the list I had compiled. Ricky Martin, Colman Domingo, Anitta, Martha Stewart, Naomi Campbell and Kendall Jenner were a few of the A-listers I watched live it up together on a European cruise. It was also a highly unusual gathering; cruise ships don't normally have celebrity sailings. Lines will invite celebs on here and there for promotional purposes, be it as godmother at a christening ceremony or to perform a concert. But typically, when we see celebrities partying on boats on social media they are on private yachts, not a debut sailing for a luxury cruise ship. But that's likely why the Ritz-Carlton Yacht Collection held the event for them: It knows the power of social media, and it wants to be viewed differently than other cruise lines, said Robert Kwortnik, a marketing professor at Cornell University who teaches a course on the cruise industry. In other words, it links the Luminara experience to the celebrity lifestyle, he said. Kwortnik posited the mindset of a consumer viewing these Instagram Stories at home: "'If it's something that they would do, I should think about this," he said. "'I should consider a cruise for my next vacation.'" He noted that the celebrities ran the gamut in both age and industry: Musicians and actors and models and influencers who may have overlapping fan bases, but all represent different glamorous versions of the celebrity life. "It's all about, what do those individuals mean, right?" Kwortnik said. "What do they represent, and how well does that align with the Ritz Carlton brand? ... if you aspire to be like Martha Stewart, then this is something that matches up with that identity that the brand is trying to create." The dream of celebrity meetings This type of marketing also goes beyond encouraging those at home to imagine who they would be on a yacht. Kwortnick suggested that Ritz-Carlton also wants you to dream about who you might meet there, which is an important part of the experience for a smaller ship. "Who am I going to have a drink with?" he said. "Who might I sit in the hot tub with? Who might I do an excursion with? And I think that's the whole yacht concept." The Ritz-Carlton called the star-studded event a "milestone sailing," in a statement accompanied by images of Janelle Monae, Nina Dobrev and other famous guests in colorful, floor length dresses. "The exclusive two-night voyage, embarking from the timeless city of Rome and culminating in Valletta, Malta, marked an unforgettable preview of a new era in luxury sea travel," the brand wrote. "Aboard Luminara, guests experienced The Ritz-Carlton's legendary service elevated by the freedom and intimacy of yachting, with impeccable accommodations, locally inspired culinary offerings, and world-class entertainment." Gathering celebrities for a cruise wasn't Ritz-Carlton's first time making an unusual move: It's the first of what is now several luxury hotel brands to expand into vacations at sea. It's unclear whether celebrity sailings will become a trend, but Kwortnik pointed out that social media remains a powerful force in shaping interest and conversations. "I can see this being something that will really take off," Kwortnik said.

Vogue
an hour ago
- Vogue
Kate Middleton Wears a Givenchy by Sarah Burton Gown for the French State Banquet at Windsor Castle
Tonight, the Princess of Wales made a statement in a dark red Givenchy by Sarah Burton gown to a state banquet at Windsor Castle honoring French President Emmanuel Macron. The flowing silk creponne gathered evening gown featured a cape back detailing. The Princess paired it with an evening clutch embroidered with a lily of the valley motif as well as the Lover's Knot Tiara. The diadem, made by the House of Garrard in 1913, consists of diamonds and a collection of 19 hanging pearls set in silver and gold. The Lover's Knot was also a favorite of the late Princess Diana. The Princess of Wales's choice of Sarah Burton for Givenchy is a clear statement of fashion diplomacy: a design by a British woman for a French fashion house, it serves as a sartorial symbol of the symbiotic relationship between the two European countries.

Wall Street Journal
an hour ago
- Wall Street Journal
‘Moisturizer' Review: Wet Leg Doubles Down
If you were an indie-rock fan in 2021, you had an opinion on Wet Leg's debut single, 'Chaise Longue.' The song, built on the quiet/loud structure that defined '90s alternative rock, wasn't formally daring or particularly confrontational, but it rapidly became ubiquitous. And when that happens to a tune from a previously unknown act, some find it hard to trust, wondering if industry machinations might be behind it all. When the band, led by the English duo Rhian Teasdale (lead vocals, guitar) and Hester Chambers (guitar, vocals), finally released its self-titled debut in April 2022, its remit was to prove that there was more to the project than a viral single. It did so handily—'Wet Leg' had at least a half-dozen good-to-great songs and showed a decent amount of stylistic range. Also embedded within 'Wet Leg' were signs of where the band might later go wrong. Here and there, the group's devil-may-care attitude gave way to a more solemn approach that sounded comparatively conventional. It was possible to imagine a future record where Wet Leg teams with a hit-making super-producer, leans toward pop, and chases a younger audience with straightforward songs about relationships and personal growth. Fortunately, the band's second album, 'Moisturizer' (Domino), out Friday, does none of that. Rather, it finds Wet Leg doubling down on what made it stand out in the first place—oddball humor, disarming expressions of lust and catchy, quirky tunes touching on antecedents like the Breeders and Elastica that avoid sounding like mere novelty.