
Sam Hunt is a dad again
The Hard to Forget hitmaker and his wife quietly welcomed son Weyman Allen Hunt - a brother for Lucy, three, and two-year-old Lowry - into the world on May 21, and the 40-year-old singer admitted the newborn is already very different to his older sisters.
He told Taste of Country: 'They're good. A little sleep deprived. Our most recent child got here in May, so he's finally starting to sleep a little better.
'We got spoiled with the first two. They were fairly easy. But Weyman, my third one, he likes to beat to his own drum, I guess you could say.'
Although the couple announced the births of their daughters on their own social media accounts, this time around the happy news went largely unnoticed because the couple teamed up with Cedartown First Methodist Church to reveal Weyman had been born.
A post on the church's Facebook page on 27 May read: "It's a Boy!
"Hannah + Sam Hunt announce the birth of their son, Weyman Allen Hunt, born May 21st, weighing 8lbs 6oz, and 20 1/2 in. long. The proud grandparents are Joan + Allen Hunt.
"Congratulations to the entire Hunt Family!(sic)
The Body Like a Back Road singer admitted in November that he was keen to take a break from touring when his kids are a little bit older and will be unable to join him on the road because of school commitments.
He told Audacy's Katie and Company podcast: 'I'm hopefully, in the next couple years, going to take a break from touring.
'The crowds have been so great and I want to get out there and tour while my kids are really young and they're able to come with me. And while people are interested in coming to see us because I don't want to take that for granted.'
Back in February 2022, Hannah filed for divorce and accused the Take Your Time singer of "inappropriate marital" behaviour and adultery. She declared Sam was "guilty of such cruel and inhuman treatment or conduct toward the spouse as renders cohabitation unsafe or improper'.
She added: "All hopes of reconciliation are exhausted.'
But she sparked confusion as she withdrew the petition just hours later, only to refile in a different county in Tennessee after getting the jurisdiction wrong.
Two months later, Hannah asked the court to dismiss the case and Sam was spotted wearing his wedding ring again.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Perth Now
a day ago
- Perth Now
Hannah Waddingham compares Ted Lasso to 'beloved dead dog' which has been 'exhumed'
Hannah Waddingham says Ted Lasso season four is like a "beloved dog that was buried" and now "exhumed". The 50-year-old actress will return as AFC Richmond owner Rebecca Welton in the Apple TV+ sports comedy-drama - which follows the story of an American football coach (Jason Sudeikis) hired to manage the fictional UK football team AFC Richmond - two years after most people involved thought the show had ended with the third run. Hannah told Variety: 'It feels like it was the most beautiful, beloved dog that was buried, and now we've exhumed it, and I am here for it. 'I was hankering and hankering and hankering and hankering to see where Rebecca had gone, where she was going to. "She's my girl. She's in my bloodstream, so I'm thrilled that it's been exhumed.' Hannah's performance as Rebecca in the episode All Apologies earned her a Primetime Emmy Award for Outstanding Supporting Actress in a Comedy Series in 2021. Now, she's excited to immerse herself in the character for another stint. She added: "I can't wait to get involved with that and put my penneth in and go shopping for her looks.' Back in March, Kason Sudeikis - who also serves as executive producer of the multi-Emmy winning global phenomenon - confirmed it was coming back for more episodes. He said in a statement: "As we all continue to live in a world where so many factors have conditioned us to 'look before we leap', in season four, the folks at AFC Richmond learn to leap before they look, discovering that wherever they land, it's exactly where they're meant to be.' Although a release date wasn't confirmed, Apple TV+ was "thrilled" Ted Lasso is coming back. Matt Cherniss, head of programming for Apple TV+, said: "Ted Lasso has been nothing short of a juggernaut, inspiring a passionate fanbase all over the world, and delivering endless joy and laughter, all while spreading kindness, compassion and unwavering belief. 'Everyone at Apple is thrilled to be continuing our collaboration with Jason and the brilliant creative minds behind this show.'

Sydney Morning Herald
2 days ago
- Sydney Morning Herald
The backlash started before this show began. 13 years later, it's found its audience
The backlash had begun before Girls even premiered – how had this 25-year-old indie filmmaker with one feature under her belt locked down an HBO deal with Judd Apatow? We didn't yet use the phrase 'nepo baby', but Dunham's NYC-based artist parents sounded glamorous enough to have connections that made it possible. Once the show premiered it was like a shot of nitrous in the hot takes engine that fuelled online media – especially its unvarnished sex scenes, often featuring moments of discomfort and shots of Dunham's very normal body that were not optimised to be titillating or 'flattering'. The show's reputation also suffered from the conflation of Dunham's character with Dunham herself. Hannah's gracelessness dovetailed neatly with Dunham's sometimes clumsy navigation of becoming a public figure. I wrote about Girls regularly and when it came up in conversation people (usually women) would say 'I just find them all so insufferable, especially her.' They would wince and squirm, the way I do about the exquisite but (for me) unwatchable cringe comedy of Curb Your Enthusiasm – a fictional show with a protagonist explicitly based on its actual creator that is nonetheless received as fiction. In the years since the show's sixth and final season ended in 2018, Dunham's reputation as a particular kind of annoying, oblivious white woman had crystallised. A provocatively phrased story in her collection of essays about inappropriate play with her baby sibling Cyrus when she was a small child is behind the oft-repeated claims that she is a sexual abuser, despite Cyrus repeatedly denying any harm. More troubling was her full-throated defence of a Girls writer accused of assault, which Dunham later retracted and apologised for. But while Mad Men creator Matthew Weiner vanished from public life after being accused of sexual harassment (an accusation he has contested), it didn't spark any soul-searching about whether his creation was still one of the greatest TV shows of all time. Loading All this is to say that despite the critical praise and 19 Emmy nominations, it still feels like Girls never had a chance to be received on its own merits. Its current renaissance feels two-pronged: younger audiences watching for the first time as adults, and people in their 30s or older appreciating this wise, spiky coming-of-age story with the benefit of a little hindsight. For all that people say they want relatable content, seeing yourself in awkward, annoying characters is sometimes just too painful if you haven't made peace with your own annoying awkwardness. One of the major flashpoints of Gen Z's obsession is Marnie Michaels, Hannah's best friend (herself based on Dunham's real-life BFF and #girlboss final boss, The Wing founder Audrey Gelman). Marnie is a put-together striver with perfect hair, a shiny foil for Hannah's bush-out messiness, cursed with far more determination than self-awareness. If you were playing Which Girls Girl Are You?, nobody wanted to be a Marnie. Actor Allison Williams recently theorised that audiences hated her character so much because it was 'a really unflattering mirror – a lot of people were Marnies and didn't want to admit it.' Much of the cringe was that she tried hard, and openly wanted things, and Williams says Gen Z viewers are reframing Marnie's fussiness as self-care and self-knowledge on the path to the life she wants to lead. 'A lot of people don't want to be seen becoming something,' Williams said. 'They just wanna be it already.' As the first generation to do a huge amount of our 'becoming' online and thus in public, in ways we're still reckoning with, millennials have been the butt of the joke online for a few years now – both snark-poisoned and too earnest, clinging to nostalgic media as we enter ungraceful middle age. But we're also old enough to look at people in their 20s and younger with real tenderness, and forgive them their cringe because it is also ours.

The Age
2 days ago
- The Age
The backlash started before this show began. 13 years later, it's found its audience
The backlash had begun before Girls even premiered – how had this 25-year-old indie filmmaker with one feature under her belt locked down an HBO deal with Judd Apatow? We didn't yet use the phrase 'nepo baby', but Dunham's NYC-based artist parents sounded glamorous enough to have connections that made it possible. Once the show premiered it was like a shot of nitrous in the hot takes engine that fuelled online media – especially its unvarnished sex scenes, often featuring moments of discomfort and shots of Dunham's very normal body that were not optimised to be titillating or 'flattering'. The show's reputation also suffered from the conflation of Dunham's character with Dunham herself. Hannah's gracelessness dovetailed neatly with Dunham's sometimes clumsy navigation of becoming a public figure. I wrote about Girls regularly and when it came up in conversation people (usually women) would say 'I just find them all so insufferable, especially her.' They would wince and squirm, the way I do about the exquisite but (for me) unwatchable cringe comedy of Curb Your Enthusiasm – a fictional show with a protagonist explicitly based on its actual creator that is nonetheless received as fiction. In the years since the show's sixth and final season ended in 2018, Dunham's reputation as a particular kind of annoying, oblivious white woman had crystallised. A provocatively phrased story in her collection of essays about inappropriate play with her baby sibling Cyrus when she was a small child is behind the oft-repeated claims that she is a sexual abuser, despite Cyrus repeatedly denying any harm. More troubling was her full-throated defence of a Girls writer accused of assault, which Dunham later retracted and apologised for. But while Mad Men creator Matthew Weiner vanished from public life after being accused of sexual harassment (an accusation he has contested), it didn't spark any soul-searching about whether his creation was still one of the greatest TV shows of all time. Loading All this is to say that despite the critical praise and 19 Emmy nominations, it still feels like Girls never had a chance to be received on its own merits. Its current renaissance feels two-pronged: younger audiences watching for the first time as adults, and people in their 30s or older appreciating this wise, spiky coming-of-age story with the benefit of a little hindsight. For all that people say they want relatable content, seeing yourself in awkward, annoying characters is sometimes just too painful if you haven't made peace with your own annoying awkwardness. One of the major flashpoints of Gen Z's obsession is Marnie Michaels, Hannah's best friend (herself based on Dunham's real-life BFF and #girlboss final boss, The Wing founder Audrey Gelman). Marnie is a put-together striver with perfect hair, a shiny foil for Hannah's bush-out messiness, cursed with far more determination than self-awareness. If you were playing Which Girls Girl Are You?, nobody wanted to be a Marnie. Actor Allison Williams recently theorised that audiences hated her character so much because it was 'a really unflattering mirror – a lot of people were Marnies and didn't want to admit it.' Much of the cringe was that she tried hard, and openly wanted things, and Williams says Gen Z viewers are reframing Marnie's fussiness as self-care and self-knowledge on the path to the life she wants to lead. 'A lot of people don't want to be seen becoming something,' Williams said. 'They just wanna be it already.' As the first generation to do a huge amount of our 'becoming' online and thus in public, in ways we're still reckoning with, millennials have been the butt of the joke online for a few years now – both snark-poisoned and too earnest, clinging to nostalgic media as we enter ungraceful middle age. But we're also old enough to look at people in their 20s and younger with real tenderness, and forgive them their cringe because it is also ours.