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ABC Reveals Finale Spoilers for 9-1-1, Grey's, The Rookie and More

ABC Reveals Finale Spoilers for 9-1-1, Grey's, The Rookie and More

Yahoo09-05-2025
The end of ABC's 2024-25 TV season is officially upon us.
Five of the network's current scripted heavyweights — 9-1-1, Doctor Odyssey, Grey's Anatomy, The Rookie and Will Trent — will all wrap their current seasons this week, beginning with Will Trent on Tuesday, May 15.
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Of these shows, only the Joshua Jackson-led Doctor Odyssey has yet to be renewed, meaning it could very well turn out to be a series finale, if ABC opts not to bring it back for another season.
So, what do your ABC favorites have in store before they sign off for the summer? That's where we come in. What follows is a rundown of ABC finale synopses, in airdate order. Keep scrolling for fresh intel, then drop a comment and let us know which shows you'll be watching.
'Listening to a Heartbeat' — Unleashed by a domestic terrorist group, a mysterious biological attack runs rampant in Atlanta. As Will and his team race to contain the threat and save countless lives, he's forced to confront the complex dynamics of his own family.
Season 3 Finale Date: Tuesday, May 13 at 8/7c on ABC (streams next day on Hulu)
'The Good, The Bad, And The Oscars' — John and Harper work together to catch Oscar; Angela investigates a bank robbery; Lucy and Tim learn to adapt to her new schedule, and Miles' first date takes an unexpected turn.
Season 7 Finale Date: Tuesday, May 13 at 9/8c on ABC (streams next day on Hulu)
'Seismic Shifts' — The 118, still reeling from their recent loss, is dispatched to a mass casualty event after a high-rise apartment building collapses; Athena and Chimney have to work together to save a familiar face.
Season 7 Finale Date: Thursday, May 15 at 8/7c on ABC (streams next day on Hulu)
'The Wave, Part 2' — When Max's transmission goes silent, he and Barry seek refuge in an abandoned church while Tristan takes charge of The Odyssey. With time running out, Avery leads a high-stakes rescue mission to find Max.
Season 1 Finale Date: Thursday, May 15 at 9/8c on ABC (streams next day on Hulu)
'How Do I Live' — While the interns are excited to transition to second-year residency, an ordinary day at Grey Sloan takes an unexpected turn when a medical emergency unfolds in the operating room, endangering lives inside the hospital.
Season 21 Finale Date: Thursday, May 15 at 10/9c on ABC (streams next day on Hulu)
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Ad-supported streaming is the future. So why is the experience so bad?
Ad-supported streaming is the future. So why is the experience so bad?

Los Angeles Times

time36 minutes ago

  • Los Angeles Times

Ad-supported streaming is the future. So why is the experience so bad?

We all need to stop getting mad about the fact that our favorite streaming series are now full of ads and focus on how awful those ads are. Yes, it is infuriating that streaming platforms sold a product they could not reasonably hope to sustain. The promise that, for a small fee, viewers would be granted instant access to a vast array of TV series and movies that they could watch when and where they desired, all at once and without the irritant of commercial breaks, seemed too good to be true. Which, of course, it was. Having lured millions of viewers away from cable and broadcast television, subscription services were first able to raise their rates and then, on top of that, introduce advertising. Far from freeing us from commercials, they now demand, just like cable, that we pay for the honor of watching them. Judging from recent reports, millions of new subscribers to Netflix, Prime Video, Hulu, Disney+ and HBO Max are OK with that. According to the research firm Antenna, ad-supported subscriptions hit 100 million this year; according to Omar Karim, director of brand and video products for Amazon, that number will double by 2027. (Free ad-supported streamers like Tubi and Pluto TV are also seeing remarkable growth.) Commercial-free viewing is still possible for a higher-priced rate. But like business class on planes and Magic Key passes at Disneyland, those tiers may become a VIP experience (i.e., absurdly expensive), if they don't vanish altogether. With the cost of multiple streaming services already outstripping the much-maligned price of the cable bundle, ads on streaming are here to stay and will, no doubt, be increasing. 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At which point it feels less like advertising and more like brainwashing, with the unintentional effect of ensuring that if I were in the market for a truck, I would literally buy any other model than the one that was 'Clockwork Orange'-d on me while I was trying to watch a murder-mystery series. Or, God forbid, a movie. If anything sends viewers back to the cineplex, it will be ads for depression meds in the middle of a rom-com or a sophisticated chase scene. And when I say middle, I mean middle. Subscription streaming was not built for ads and it shows: On Netflix, Prime Video and others, ads will more than occasionally appear midscene, often cutting off dialogue and almost always providing maximum narrative disruption. This is especially true for streaming shows made before ad-supported streaming became commonplace. In the old days, writers fashioned scripts to accommodate ads with scene breaks and fade-outs. Streaming promised to free them from this, which is one reason so many writers ran around calling television 'long form' and claiming each season was like shooting a 10-hour movie. Imagine watching a 10-hour movie with commercial breaks shoved in every 15 minutes or so. Not great, Bob. And it's not like you can fast-forward through them. We willingly relinquished the power of the DVR, which, when wielded properly, was essentially a DIY ad-free streamer, and put ourselves in the hands of people who think having a little countdown clock telling you how long the ads will last somehow makes up for the fact that they just interrupted a monologue. Again, it is difficult not to instantly hate whatever is being advertised, which, as I understand it, is not the point of any commercial. Even if you pay for the ad-free tier, series are often interrupted by weird little blips where, presumably, ads appear in economy seating. 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Aging up the characters in the ‘King of the Hill' revival was not only easy, it was ‘a relief'
Aging up the characters in the ‘King of the Hill' revival was not only easy, it was ‘a relief'

Los Angeles Times

time36 minutes ago

  • Los Angeles Times

Aging up the characters in the ‘King of the Hill' revival was not only easy, it was ‘a relief'

Years and years ago, Pamela Adlon, the actor and co-creator of 'Better Things,' had to trade a Fox Body Ford Mustang with a V8 engine for a white minivan. 'It was when I became a mom and I said, 'I cannot go down like this,' ' Adlon says. So, she had the minivan painted with flames, a skull on the front and pinstripes. When Adlon met with the artist for her auto paint job, she saw a totem in his studio: a small, gold-colored resin bust of Bobby Hill, the husky preteen she played on the animated series 'King of the Hill' for 13 seasons — a staggering 259 episodes total — on Fox. Adlon was given the figure. During a conversation about the return of the series, she pulls the bust from her bookshelves and holds Bobby lovingly in her hands. Adlon says she doesn't just identify with parts of the sweet, passionate kid she voiced. She is Bobby Hill. 'I just couldn't believe it,' Adlon says. 'This is my own bust. That's me. It's f— me!' Bobby, the son of animated Arlen, Texas, residents Hank (Mike Judge) and Peggy Hill (Kathy Najimy) has in the years since 'King of the Hill' aired its last episodes in 2010, become a social-media phenomenon in memes ('That's my purse, I don't know you!') and well-circulated online video clips. 'He has become like a little beacon for people, which is so sweet,' Adlon says. 'I'm honored to even be a part of it. I love it, I love it.' Adlon and most of the original cast return for a revival of 'King of the Hill' with a 10-episode 14th season premiering Monday on Hulu. The new episodes return viewers to a much-changed Arlen (and America, for that matter) with characters who have aged about a decade since we last saw them. Hank and Peggy are retired and back in Texas after a propane-related work stint in Saudi Arabia. Bobby is a 22-year-old chef running a Japanese-German fusion restaurant. And because it's 2025, there's a lot that feels very different, from ridesharing and microaggressions to all-gender public bathrooms and goat therapy. To say that the connections 'King of the Hill' cast members have with the show are personal would be a huge understatement. Not only did the animated series' original run and its new batch of episodes address American culture in sharp and satirical ways while simultaneously being gentle and humane, it created memorable, perhaps iconic, roles for three of the women who play lead characters on 'King of the Hill.' Adlon, Najimy and Lauren Tom, who plays both Connie Souphanousinphone and her mother Minh, all say that the show's continued high quality and influence on their lives for so long helped draw them back. Along with co-creators Judge and Greg Daniels, and new showrunner Saladin K. Patterson, the cast faced a formidable modern TV challenge many have failed: reviving a beloved show without ruining what made it great in the first place. 'The best job I've ever had' Najimy, who plays Peggy Hill as a kind but frequently overconfident retired substitute teacher, remembers very clearly her audition for 'King of the Hill' 27 years ago. 'I was pregnant with my daughter,' she says, 'so I will never forget that time in our lives.' Najimy and the rest of the cast had no idea at first if the show would work. 'I thought, 'This is a really good script and I love that there's some great writing for women characters, which isn't always the case.' ' Unlike the family dynamic of many sitcoms of the '90s era when 'King' started, and even now in some cases, Hank and Peggy aren't a schlub and a hot wife trading insults — they're partners who respect each other and who did a great job raising their son. 'They fight and they spar, but they really, really love each other, which I find refreshing,' Najimy says. In the new season, Peggy's adventures include portraying the made-up wife of Hank's buddy Bill (Stephen Root), dealing with a cover-up involving a neighborhood lending library and bedbugs, and wrestling with empty nesting. Judge says that Najimy gets credit for bringing Peggy to life on the original run. 'We, on the writing side at least, didn't have all that much for Peggy in the very beginning. 'Something happened when Kathy started doing the voice — something about the way she played her as this know-it-all who can be completely wrong with complete confidence — and we started writing to that and Peggy was born,' he says. Najimy says she appreciates that the storylines continue to be character-driven, even when they're observing or commenting on modern culture. 'It's really hard to bring something back,' Najimy says in praise of the show's creators and writers. 'I think it's a miracle that they've done it so seamlessly… it's the best job I've ever had.' Bobby and Connie all grown up One of the new storylines finds Bobby reconnecting in Dallas with his childhood crush Connie. How that develops through the 10 episodes is one of the most emotionally satisfying parts of the revival. While other actors on the show were voicing older versions of adult characters, Adlon and Tom had to decide with the showrunner and creators how to age their characters into adulthood. At one point, using technology to change the pitch of their voices was considered. But in the end, the actors made the vocal adjustments themselves. 'I feel like since Connie's in her 20s now, that was actually easier for me because it's close to my own voice; I'm about that age emotionally,' Tom jokes. 'For me, it was a relief to age her up.' 'King of the Hill' was Tom's first animation job before she went on to play roles on 'Futurama,' 'Teen Titans Go!' and 'Rick and Morty.' Adlon said that Bobby's vocal journey into manhood had to be grounded in an authentic portrayal with a subtle adjustment: 'I just did a little thing,' Adlon says, cupping her hand for emphasis, 'get him more into, you know, the balls. Cradling the balls of age.' When the new season begins, Connie has a boyfriend; it's an ethical nonmonogamous relationship. 'In a way, she is sowing her wild oats,' Tom says. As Bobby, Adlon interjects, 'Well, I don't wanna talk about that.' Patterson, a veteran of several TV series including 'Frasier' and the well-received 2021 version of 'The Wonder Years,' says the actors were able to bring a huge amount of complexity to characters that fans have grown to love for 27 years. For Bobby, 'What Pam does is so specific and so magical,' Patterson says. 'Fans are coming back to this show because they want to recapture that magic, right? Let's not try to fix what isn't broken. Let Pam continue to do the magic that she does with Bobby Hill.' With Tom's challenge of playing two characters, Patterson says, 'When we have scenes with Minh and Connie, not only is she doing two voices, but she's capturing all those layers and nuances that exist in the mother-daughter relationship.' Living in 2025 … and beyond? The actors and creators are careful to say that 'King of the Hill' has never been as political as some might ascribe to the show, despite it being set in a red state featuring a conservative-passing family. But in 2025, it seems impossible not to take a side and the new 'King' season arrives just two weeks after 'South Park' unloaded a stinging critique on President Trump and his administration. The new 'King of the Hill' season takes aim at misogynist bro seminars, cultural appropriation in the restaurant world and how divorce is still stigmatized in many cultures, among other topics. The cast members and creative leaders of the show say that while they're big fans of what 'South Park' is doing, 'King' mirrors things very differently. 'The world needs someone to shake things up like that,' Tom says, 'and then the world needs our approach, which has a lot more kindness and love and gentleness and inclusiveness to it. It's a nice balance.' 'Now seems like the perfect time, this window of opportunity when people are just going, 'What the f—?' with everything,' Adlon says. Judge says 'King of the Hill' is 'a calming presence in the midst of all the divisiveness. People often tell me they watch it before they go to sleep, and I'm totally good with that.' How long that calming presence will be with us when it comes to getting fresh episodes in the future is not completely clear. Season 14 debuts with all 10 episodes available. Will there be more? There are certainly more scripts and the actors on the show confirm they've continued working on episodes beyond this initial batch, but Hulu has not yet announced whether 'King of the Hill' will continue for a 15th season or more. Reviews so far from critics have been universal raves; the 14th season has a 100% rating on Rotten Tomatoes, with one reviewer calling it the best TV revival of all time. For the 'King' crew, who have been working on the show since the COVID-19 pandemic forced them to do voice recording separately, seeing 'King of the Hill' come back together successfully after so long has been incredibly rewarding. 'I think it was a big relief reading the first episode and realizing the writing was just as strong as the original and feeling like, 'Oh, we're going to be in good hands,' ' Tom says.

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